TINA FLETCHER ART

Originals

One-of-a-kind. Hand-painted. Carved out of the dark with pure white light. Each original is a single, unique moment captured on A3 paper.

These are the pieces I start with. The ones where I lay down the grey gesso, add the deep dark gesso, sketch in chalk, and carve the subject out with a dry brush.

Every original comes with a signed Certificate of Authenticity and a Provenance Card detailing its history. When you buy an original, you are not just buying an image. You are buying a moment from my studio, brought to life on your wall.

What to expect when you buy an original

What you get

  • A one-of-a-kind acrylic painting on A3 paper, signed by Tina Fletcher.
  • A signed Certificate of Authenticity proving the piece is genuine.
  • A Provenance Card sharing the story behind the piece, including the collection it belongs to and the inspiration behind the artwork.

How it is packed

Every original is carefully wrapped in acid-free glassine paper, then protected with rigid cardboard backing, and shipped in a sturdy, Australia Post-approved box. Your painting will arrive safe and ready to be framed.

Why an original is special

An original is the exact piece I was standing over in the studio, brush in hand. It has texture. It has history. It has the tiny decisions and brushstrokes that make it uniquely mine. No one else in the world will ever have the exact same one.

Want to see how it fits in your space?

Before you buy, you can use the Augmented Reality (AR) viewer on any product page to see exactly how the piece will look on your own wall. Just click “View on my wall,” hold up your phone, and the painting will appear in your room in real time.

Not ready for an original yet?

Prints are a beautiful, accessible way to bring my work into your home. They are high-quality reproductions printed on fine-art paper, and they are available in A4, A3, and A2 sizes.

Explore the Prints

Tina Fletcher Art

Black-and-white acrylic paintings of Australian subjects. Thirty years a designer, now carving wildlife stories out of the dark with the Active Void technique — one collection at a time.

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